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Chương 1 - Chạm Vào Thế Giới Kim Cương

“Call security.”

Megan said it under her breath, but I heard her clearly.

The woman who had spent two hours at my counter was walking toward the elevator with a $42,000 diamond bracelet still her left wrist.

“Don’t,” I said.

Megan stared at me. “, she’s leaving.”

“I can that.”

I stepped around the counter.

“Ma’am?”

The woman stopped and turned.

She was in her late fifties, maybe early sixties, dressed in black pants and a plain cashmere sweater. Nothing about her screamed money. No obvious designer bag. No stack of diamonds. an old jade bangle wrist and sensible flats.

Which was probably why Megan had decided she was wasting our time after the twenty .

I .

“Before you go, would you check your left wrist for me?”

She looked down.

Her face changed instantly.

The diamond bracelet was sitting right above her jade bangle.

“Oh my God.”

She grabbed at the clasp.

“I forgot this was .”

“I figured.”

Behind me, Megan made a tiny choking sound.

The woman looked from the bracelet to me.

“You figured?”

“That clasp sits very flat. Once it’s , you stop feeling it.”

I reached .

“May I?”

She held her wrist.

I released the hidden clasp and slid the bracelet onto my palm.

Her cheeks were bright red.

“You could had security stop me.”

“I could .”

“You thought I was actually going to bring it ?”

“I thought you spent two hours asking me about stone setting, repair access, and whether the bracelet could be shortened without disturbing the pattern.”

I set it the velvet tray.

“People planning to steal usually don’t ask me who services it in ten years.”

For a few seconds, she looked at me.

Then she .

Not the embarrassed little laugh I expected.

A real .

“What’s your name?”

“.”

“ what?”

“Parker.”

She nodded once, like she was committing it to memory.

Then she pointed to the bracelet.

“I’ll take it.”

Megan dropped her pen.

The woman looked at the tray again.

“And show me what you for an engagement.”

“Ring?”

“Not for me. My daughter. She’s getting engaged next month.”

“What kind of budget are we working with?”

She .

“I’ll tell you you show me I don’t like.”

That was how I met Bennett.

The next afternoon, she came with her daughter.

Avery Bennett looked about my age, twenty-seven or twenty-eight, wearing jeans, a white T-shirt, and the kind of loafers that cost more than my monthly rent.

Around her neck was an old sapphire.

I noticed it before I noticed anything else.

Not it was huge. It wasn’t.

Maybe six carats.

But the cut was old. Soft cushion, slightly uneven modern standards, with facet wear around the edges that told me someone had wearing it for decades.

Avery caught me looking.

“Is wrong with it?”

“No.”

“Then why are you staring?”

gave her a look.

“Avery.”

“It’s fine,” I said. “I was looking at the cut.”

Avery touched the pendant.

“This was my grandmother’s.”

“That makes sense.”

Her expression shifted.

“Why?”

“They don’t cut sapphires like this much anymore. At least not commercially. And the mounting has repaired more than once.”

I leaned slightly closer but didn’t touch it.

“If you want your engagement pieces to with that necklace, I wouldn’t buy a modern matching set.”

“What would you do?”

“Build around it.”

I pulled three trays.

The was exactly what people expected from a luxury counter: diamonds, polished, safe, expensive.

The second had colored stones.

The third held loose stones that customers rarely asked to .

Avery ignored the two.

Her eyes stopped a peach-pink sapphire.

“This .”

“That’s the I’d choose too.”

.

Avery picked up the stone with the tweezers I handed her.

“What would you make?”

“Not me.”

She looked up.

“We outside designers.”

I took a sketch pad anyway.

“But if I were building it around your grandmother’s sapphire, I’d keep the lines low and slightly irregular. Nothing too perfect. Hand engraving around the edges. Maybe rose gold accents so it doesn’t feel like you bought everything yesterday.”

I drew while I talked.

Avery stopped looking at the stone.

She was watching my hand.

I finished, she took the sketch.

“You drew this now?”

“Yes.”

leaned her shoulder.

“I like it.”

Avery looked at me.

“What did you study?”

“ design for a while.”

“Where?”

“Community college.”

She blinked.

Megan, who was listening from three feet away while pretending to reorganize , made a soft sound through her nose.

I ignored her.

Avery looked at my sketch.

“You here full time?”

“Yes.”

“Doing sales?”

“Yes.”

tapped the page.

“Well, you’re designing this.”

“I can coordinate it.”

“No.”

She pointed at me.

“You.”

I .

“That’s not really how our company works.”

“Then we’ll with whoever you need to with.”

Avery handed the sketch .

“But I want this design.”

the time they left, the commission was worth $180,000.

Megan waited until the front door closed.

Then she leaned against my counter.

“You’re unbelievable.”

I started entering the order.

“Meaning?”

“You said three sentences about an old necklace and suddenly they’re spending six figures.”

“They were already planning to spend money.”

“Right, but you always do that.”

“Do what?”

“This.”

She waved her hand at me.

“You talk like you’re some curator. Cut, construction, period, provenance.”

She .

“You an associate degree and a name badge.”

I stopped typing.

“Megan.”

“What?”

“Your customer at station three has waiting eight .”

She glanced .

An older woman was standing there wearing a faded raincoat.

Megan rolled her eyes.

“She’s looking at the same for twenty . She’s not buying.”

I looked at the woman’s hands.

She had a narrow platinum ring with blackened milgrain and tiny old-cut diamonds.

The ring was worn smooth.

Not flashy.

But old.

Very old.

I walked .

“Would you like to those outside the case?”

Forty-five later, she bought them.

And a pendant.

Total: $27,600.

Megan barely spoke to me for the rest of the day.

I didn’t mind.

I’d spent most of my adult life being underestimated people who saw “retail” and stopped thinking.

Sometimes it annoyed me.

Most of the time it was useful.

A week later, Avery invited me to a private club in Westchester to meet two of her friends and discuss for her engagement weekend.

I said no.

Our company allowed private styling consultations if the sales stayed through the store, but I still hated entering places where everyone seemed to know the rules except me.

I went anyway.

The twenty were normal.

Questions about .

A vintage bracelet.

A ring of the women had inherited from an aunt.

Then Avery said, “Show her the pink diamond.”

Her friend .

“Why?”

“ I want to if makes the same face.”

“I don’t make faces.”

Avery looked at me.

“You absolutely do.”

Her friend removed a pair of and slid across the table.

I looked through my loupe.

Natural inclusions.

Old setting.

Nice stone.

“Beautiful.”

“That’s it?” Avery asked.

“What do you want me to say?”

“Where it’s from.”

I lowered the loupe.

“I can’t tell you that responsibly from a club table.”

Her friend .

Avery pointed at me like I had proven .

“? That’s why I like her.”

I frowned.

“What exactly did I prove?”

“That you don’t make things up rich people ask.”

That shut me up.

Afterward, I was standing outside waiting for my car a black sedan pulled up.

The passenger window lowered.

A man I recognized from photographs looked .

Cole.

Avery’s fiancé.

Early thirties. Dark suit. No tie.

He had the calm expression of someone who had never once rushed another human being.

“You’re Parker.”

It wasn’t a question.

“Yes.”

“Avery sent me before you got stranded.”

“My car is coming.”

He looked at the empty entrance.

“Your app says that?”

I checked.

Driver canceled.

Of course.

unlocked the door.

“I’m going toward the city.”

I hesitated.

Then got in.

For the five , he didn’t ask anything.

Which made me more comfortable than conversation would .

Then he said, “Was Samuel Parker your grandfather?”

My hand tightened around the strap of my bag.

I looked at him.

“How do you know that name?”

“I collect twentieth-century American studio .”

“That doesn’t answer the question.”

“No.”

He glanced at me.

“It doesn’t.”

I waited.

“My father owned two Samuel Parker pieces. I own them now.”

I said nothing.

“He had a specific engraving line,” continued. “Shallow curved cuts layered into each other. Collectors call it the crescent pattern.”

“My grandfather hated that name.”

slightly.

“What did he call it?”

“.”

That got a real laugh of him.

Then his expression changed.

“You studied with him.”

“For a few years.”

“That’s not what Avery told me.”

“Avery doesn’t know.”

“She said you recognized construction methods most appraisers her mother uses never mention.”

“That means I’ve looked at old .”

“It means more than that.”

I turned toward the window.

“I sell , .”

“Right now.”

I looked .

He didn’t say anything else.

I got home to my -bedroom apartment in Queens, I pulled an old notebook of the bottom drawer beside my bed.

Brown leather.

Cracked spine.

My grandfather’s handwriting filled every page.

Drawings of hinges.

Prongs.

Engraving patterns.

Stone-setting diagrams.

Notes about light.

Notes about metal.

Notes about patience.

The last page had sentence written to me.

Skill lives in your hands. Judgment lives in your eyes. Don’t let anyone tell you that you don’t belong at the bench.

My grandfather died I was fourteen.

After that, my father sold the workshop piece piece.

Tools.

Old stones.

Reference books.

Partially finished .

Even framed sketches.

He said he needed the money to settle debts.

What he meant was gambling.

the time I was seventeen, nothing remained.

My mother had gone for years.

An aunt took me in.

I finished community college that was what I could afford.

I worked retail it paid consistently.

And every few months, usually after midnight, my father called to ask for money.

That night, he called again.

“.”

“What do you need?”

He went quiet.

Then he weakly.

“Can’t a father call his daughter?”

“You only do you need .”

Another silence.

“Thirty-five thousand.”

I closed my eyes.

“No.”

“I haven’t even explained.”

“You owe somebody thirty-five thousand.”

“It’s complicated.”

“It’s gambling.”

“It’s not exactly—”

“Dad.”

Lưu ý: Thế giới và các tình tiết trong truyện là sản phẩm của trí tưởng tượng, đã được lý tưởng hóa nhằm phục vụ mục đích sáng tạo. Mọi sự trùng hợp với thực tế chỉ là ngẫu nhiên, không mang giá trị nghiên cứu hay đối chiếu.